arriflex 235 super 35

Film format: Super 35
Sound: MOS
Fps: 1 to 60 fps forward, 20 to 30 fps reverse (rampable)
Shutter: 45°, 60°, 75°, 90°, 105°,120°, 135°, 144°, 150°, 172.8°, 180°
Weight: Camera body + viewfinder + eyepiece: approximately 3.5 Kg/7.7 lbs
Magazines: all 235, all 435 and 35-3 except 35-3 and 435 300m/1000' magazines.
 
By focusing on essential features and employing the most up-to-date design and manufacturing
techniques, the 235 is spectacularly lightweight, small and compact. It's body and viewfinder
weigh about 3.5kg/7.7 Lbs, half the weight of a 435 body and viewfinder. With a smaller and
lighter camera it is possible to work faster, use less rigging and utilize lighter support equipment.
And, despite its compact size, the 235 is a thoroughly modern motion picture camera, equipped with all the features cinematographers, producers and crews have come to expect. Super 35, speed ramps and a high quality video assist save time and provide more creative options.

Matched with the Cooke S4 Primes or Zeiss SuperSpeeds this camera will produce, arguably the highest quality motion picture image available. (“Arriflex 235”, 2006)

Rental Includes:

 IVS Color Video Assist

Extension Eyepiece

2 x On Board Batteries

Baseplate

Shoulder Pad

Riser

Accessories (extra):

400' Magazine 

On Board Battery 

RED One M-X

Mysterium-X Sensor
- 12-bit sensor depth (36-bit color)
- 11+ stops dynamic range
- Effective ISO 800
- Depth of Field - Equivalent to 35mm Cine Lenses (2K = Super16mm with windowed sensor)
- Compatible with 35mm acessories
- 35mm PL cine lens mount standard
- Active Pixel Array - 4520 (h) x 2540 (v)
- Full Pixel Array - 4900 (h) x 2580 (v)
- Possible Project Time Base : 23.98, 24, 25, 29.97, 30 fps 4K

Acquisition Formats
4.5K WS (2.33:1)
4K (16:9, 2:1, Anamorphic 2:1)
4K HD (16:9)
3K (16:9, 2:1, Anamorphic 2:1)
2K (16:9, 2:1, Anamorphic 2:1)

Frame Rates
1-30 fps 4K
1-60 fps 3K
1-120 fps 2K

Recording Options
16GB Compact Flash
320GB Red Drive (RAID)
128GB Red RAM Drive (Flash)

HD-SDI video preview 1280x720p 10bit
Audio 4 Channel Uncompressed, 24 bit, 48KHz

CaNON 7D-PL

Designed to use PL mount film lenses including :

Zoom Lenses
Angeniuex Optimo Zoom 15-40mm
Angeniuex Optimo Zoom 28-76mm
Angeniuex Optimo Zoom 24-290mm
Cooke S4/i 15-40mm
Duclos Tokina 11-16mm

Prime Lenses
Arri/Zeiss Compact Primes
Arri/Zeiss Master Primes
Arri/Zeiss Ultra Primes
Cooke S4/i
Zeiss Super Speeds Mk 2&3
Zeiss Standard Speeds
Lomo Anomorphics
Red Pro Primes (25mm, 35mm, 50mm, 85mm, 100mm)

18.0 Megapixel APS-C size CMOS sensor and Dual DIGIC 4 Image Processors
ISO 100-6400
Advanced movie mode with manual exposure control and selectable frame rates:
1920x1080 (Full HD) : 30p (29.97) / 24p (23.976) / 25p, 1280x720 (HD): 60p (59.94)
50p, 620x480 (SD): 60 (59.94) / 50p
- Manual focus and exposure control
- Dedicated Live View/Movie Recording lever with a start/stop button
- Capability to use an external stereo microphone for professional audio effects or a built-in
monaural microphone for convenience

- Records to high speed compact flash cards
- Magnesium body with shutter durability up to 150,000 cycles and exclusive dust and weather resistance

CANON 5D MARK II

21.1 Megapixel Full-frame CMOS sensor
14-bit A/D conversion (16,384 colors/each of 3 primary color)
Wide range ISO setting of 100-6400

Full HD Video Capture at 1920x1080 resolution and manual exposure control capability
Full HD Video 24p (23.98), 30p (29.97)
Next Generation DIGIC 4 Image Processor for fast processing of fine detail color reproduction
as well as reduced image noice.
Live View Function for stills (Quick, Live and Face Detection AF Modes) and video
3.0-inch Clear View LCD (920,000 dots/VGA monitor with anti-reflective and scratch-resustant coatings
for improved viewing and smudge protection.
Updated EOS Integrated Cleaning System specifically designed to work with full-fram sensor.
Compatible with over 60 EF Lenses and most EOS System accessories.